![]() ![]() Read this way, the character of Shaktimaan, and the show’s special effects, can be understood as fictions that arbitrate the interface between a specifically “Indian” nationalist project (with diasporic circulation) and the adoption of late-capitalist (American) exports, including economic liberalization. Where and how the special effect lands, and then eventually expires, is the result of historical and geopolitical forces. Today state-of-the art technologies, including moving-image special effects, are not only in use in Indian entertainment, but the many “silicon valley’s” and industrial nodes of the subcontinent are primary sites for their development and export. Part of the economy of a special effect is the projection of contemporaneity-cutting edge, state-of-the-art, a certain sublime potential of artifice-all of which eventually wears off. Content is clearly deprioritized in relationship to the appearance of technical supremacy and achievement-part of the show’s primary appeal.Īlthough Shaktimaan was the first Indian television show to use special effects widely, its landmark use of effects ironically appears kitsch, even slapstick, from today’s vantage (or even by comparison to the effects of Hollywood just three decades prior). While no expense was spared on the television show’s effects, the narrative arcs are phoned in, simplistic, repetitive. Not surprisingly, Shaktimaan’s star and creator happens also to be an ardent and long-time supporter of the current political regime. The main character, a cardboard cutout of an American superhero painted with Hindu cultural signifiers and dubbed “Indian”, was both played and dreamed up by the same man, Mukesh Khanna. These special effects are the rhetorical centerpiece of a mass media product that centers a Hindu superhero who takes on the existential crimes of humanity (embodied in a chaotic cast of demons, villains, and regular everyday wrongdoers). Leaving the background and all else blank, the artist’s delicate drawings of every effect for each episode produce a soft taxonomy of decontextualized figures of the effects themselves. For each special effect, Faizal chooses a video still and uses multiple colors of carbon paper to isolate and trace the animation. #Shaktimaan photo insert page tvIn the body of work Shaktimaan SFX (2020–ongoing), Nihaal Faizal uses sheets of carbon paper to trace and render the visual effects from Shaktimaan, the famous Indian superhero TV show from the 90’s. ![]() ![]() Indeed, the material itself grounds the document’s special relationship to veracity-no matter how symbolic the signature or abstract the monetary transaction that it authenticates. Imprinted in the exact moment the original document is generated, the carbon copy emanates analog trustworthiness. And yet, in the old-guard offices of shops and businesses subsisting in anachronism, in bill books, for bureaucratic form-filing, and in more informal segments of various economic frontiers and holdouts, the tried-and-true analog of the carbon copy endures.Ĭarbon paper is a time-tested artifact, attesting to the changing technologies of record-keeping and concepts of verification. ![]() A technology superseded: first by photocopies and then by the digital files of the computer. #Shaktimaan photo insert page for macExcel for Microsoft 365 Word for Microsoft 365 Outlook for Microsoft 365 OneNote for Microsoft 365 Project Online Desktop Client Publisher for Microsoft 365 Excel for Microsoft 365 for Mac Word for Microsoft 365 for Mac Outlook for Microsoft 365 for Mac Word for the web Excel 2021 Word 2021 Outlook 2021 Project Professional 2021 Project Standard 2021 Publisher 2021 OneNote 2021 Excel 2021 for Mac Word 2021 for Mac Outlook 2021 for Mac Excel 2019 Word 2019 Outlook 2019 Project Professional 2019 Project Standard 2019 Publisher 2019 Excel 2019 for Mac Word 2019 for Mac Outlook 2019 for Mac Excel 2016 Word 2016 Outlook 2016 OneNote 2016 Project Professional 2016 Project Standard 2016 Publisher 2016 Excel 2016 for Mac Word 2016 for Mac Outlook 2016 for Mac Excel 2013 Word 2013 Outlook 2013 OneNote 2013 Project Professional 2013 Project Standard 2013 Publisher 2013 Excel 2010 Word 2010 Outlook 2010 OneNote 2010 Publisher 2010 Excel Starter 2010 InfoPath 2013 InfoPath Filler 2013 Word Starter 2010 More.The trace of carbon paper is a vanishing. ![]()
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